#Ten years after a space in time dvd movie
#Ten years after a space in time dvd series
#Ten years after a space in time dvd mac

#Ten years after a space in time dvd series

Tony Cervone, a producer on the Scooby-Doo! Mystery Incorporated series (2010–2013), even confirmed that the show’s version of Velma was meant to be queer. Though the character has mostly been paired with fleeting male love interests over the years, there has been subtext - and much more than subtext - suggesting her lack of interest. Velma’s sexuality has been a topic of discussion within the Scooby-Doo! fandom for decades. Lest there be any doubt, Velma eventually caves: “Oh, who am I kidding? I’m crushing big-time, Daphne! What do I do? What do I say?!”Īlso here’s the part where she actually admits it 🥲🥲 /nyA3toBz80

#Ten years after a space in time dvd movie

The CW Sets Beebo Christmas Special, Waltons Movie Starring Bellamy Young Unarguably the band's strongest and most consistent effort since the Ssssh days, A Space In Time continues the line of Watt in its heavy use of synthesizers and special effects, but this time the members probably took out some time to make these thingamajigs actually work.TVLine Items: FNL Vet Joins Painkiller, Ed Sheeran Mentors The Voice and More Still, if there ever was a period in which they were real close to embodying some 'progressive' tendencies, it was this fall of 1971, with this extremely strange, un-Ten Years After-like album, and this really great bunch of songs, with hardly a major stinker in among all the melodies.

#Ten years after a space in time dvd mac

It is indeed a classic.ĭespite all the hype, Ten Years After could never have earned the title of a 'prog-rock' band: sometimes they are mistakenly lumped in with the movement, but Alvin and Co.'s ambitions never really amounted that high - for the most part, they were just hardcore blues rockers with a slight experimental edge, to distinguish them from colleagues like early Fleetwood Mac or Free. It's good to see this digitized CD being released. But what can absolutely be said with authority is that A Space In Time cemented Ten Years After as Rock Music giants of their time.

That album was also the sign-off signature for the band, as Lee left to seek a solo career and the music public could only look forward to numerous 'best of' albums the studios would release to line their own pockets. And as unusual was the fact that fans also enjoyed most of the songs on that album, not just the feature cut.

While some critics and fans sniffed that the band 'sold out' to commercialism, the feature song of that album, 'I'd Love To Change The World' made every one of them comfortably wealthy. While they did experience success during the middle of their musical careers, the album 'A Space In Time' went gold in a hurry. It cannot be ignored that their appearance at Woodstock might had a lot to do with their relative success It was Ssssh that launched them into their successful period. Lee's comment about the material on the Shhhh album cover was indeed prophetic.

Caught between the 'British Invasion' and the Haight Ashbury culture, Ten Years After finally found their niche within the Acid Rock crowd. In fact, the original album cover back side of 'Ssssh' had Lee's comment on it, describing just how difficult it had been to cut that album. He often held that this difficulty was the primary reason that Ten Years After had not 'made it' on the commercial music scene. Alvin Lee, the premiere Rock and Blues guitar player of his time often lamented how hard it was to get their third album cut. The Rock and Blues band, Ten Years After paid their dues three times over, playing the dockside bars and dives all over England.